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    <loc>http://www.anavalverdepinel.com/visualart</loc>
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    <lastmod>2016-11-05</lastmod>
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      <image:title>Visual Art</image:title>
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      <image:title>Visual Art - I.  n e Ü n i v e r s a l     h e m i s p h e r e</image:title>
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      <image:title>Visual Art - w u  w e i</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5638f0ebe4b07302ba3a24a5/1447855986482-FO0XG3U7CV1V5MXZM8U1/image-asset.jpeg</image:loc>
      <image:title>Visual Art - synchronous movement +](Ö[</image:title>
      <image:caption>Synchronous Movement is an approach to those feelings experimented in a moment in the past that were changed and renewed by the movement till the present time. It is a look into “the base”, that one that is always changing and whose energy is in continuous transformation. It is an approach to the understanding of that nature-universe-mind phenomenon through that constant movement which life itself essentially is. Three sequences suggest the possibility of imagining a world, in which the physical and the psychological worlds are no longer separated by a large barrier (impediment) and where synchronicity plays and important role as a special key to open the doors of that limit, a way to explore our interior order, so to make it the same as the exterior one. The work does not finish until the observer comes in contact with it, being the observer who changes everything again just with the simple fact of observing it. Therefore the term “observer” must be replaced by “participant”. The concept “Zwischen” (in between) plays an important role here because the subject of knowledge cannot exit independently of their object of knowledge. If the object of knowledge is not present, the subject cannot exist. The contemplation of the vacuum between subject and object is particularly important in this work, but it could be sometimes broken by elements linked to the illusory figure of the ego -past sensations, thoughts of future ...-, preventing us from seeing the whole universe in every little thing. Synchronous movement simultaneously works with two other projects, Economy of Nature and The Mantra of the Senses. Instructions: The presentation of the three sequences is designed as a loop playback, so to achieve an effect of spatial continuity as a state of infinite emptiness and timeless moment. Each sequence will be explained with their own descriptive text. This sequence symbolizes a feeling of profound artistic connection between two people who are physically, but not psychologically, separated in space and time. By means of this connection one of them can feel what the other is currently viewing. Synchronous movement starts with the vision of this double rainbow.</image:caption>
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      <image:title>Visual Art - CND NIPPON-KOKU</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5638f0ebe4b07302ba3a24a5/1447787551736-E3Z2VCI2JGC6OW8L83FX/image-asset.jpeg</image:loc>
      <image:title>Visual Art</image:title>
      <image:caption>Anicca:: Kalāpa There is no fear in the water, hence its transparency. It takes different forms, different limits, but it knows it is always water. Is not the perfect present the one that comes with the light and goes by with it? But most of the time we do not pay attention to that light, it seems that someone could come and turn it off at will. The memory is the one that turns it off, adopting different forms (fear, hate, anger, anxiety…) and those characters that we tend to create since we are aware of ourselves: the black holes of the ego. The black hole is the one that consumes the light and rip “the eyes of the senses” out, turning the present time blind and removing our attention from the reality. Those thoughts of memory and desire that cloud our present time, deny us the possibility to be responsible for our actions in real time, losing control of them, and therefore, losing our capacity for individual intervention, in community, with our environment and society. But the memory of the feeling is what make us recognize the poison of a bee and the smell of apricot in our grandparents’ garden, though always transformed by the power of imagination. How could we change those feelings if they already have a predetermined image in our senses? I guess that is part of our work in the evolutionary process and the awakening of consciousness, to be able to see “the new” in every little thing we experience. “El material que se repite es muchas veces lo que nos resistimos a saber de nosotros mismos. Por eso antes de percatarnos del vacío del yo, debemos experimentar al yo completamente, tal como aparece”. (M.Epstein) “La memoria parece estar ligada en el alcance y la naturaleza de su contenido. No podemos recordar la compleja sutileza de la experiencia real; generalmente es una imagen simplificada. Cuanto con más frecuencia se la evoca, más simplificada se vuelve, y a menudo se descarta”. (D. Bohm) Therefore, this research focuses on the attention of the creative process in real time, (is based on the discovery and has as a goal the discovery) and how that attention is interrupted by memories, past feelings and future uncertain and uncontrollable thoughts which deprive the development of our perception, that constant movement inwards and outwards, and the creative ability, which is essentially our experience of reality: a reality which dissolves time.</image:caption>
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      <image:title>Visual Art - eclosion</image:title>
      <image:caption>EclosiÖn [Vietnam, 2011/12]  ¿Cual es la manera de representar la unidad?  ¿Y cual la de representar la forma, la piel o el límite? Justo lo que delimita esas dos partes,  porque hay una membrana, sea más transparente o más gruesa Justo lo que no deja que la conciencia sea universo o al revés, lo íntimo de lo más absoluto Mientras, en este [juego]  la felicidad tiene forma redonda o al menos es suave en su límite. Véanse por ejemplo los lóbulos de Buda Justo en el límite, en el continuo intento de acercarnos al origen o al final. Justo tangente,  ahí, aparece la música, la poesía, el color, el amÖr, la exteriorización o universalización del ¨yo¨  lo que realmente te fusiona con el todo y el vacío</image:caption>
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      <image:title>Visual Art - Vacíos por hacer</image:title>
      <image:caption>Visual poetry in collaboration with Joaquín Longhi Díaz.</image:caption>
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    <lastmod>2015-12-04</lastmod>
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    <lastmod>2016-03-01</lastmod>
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    <lastmod>2023-03-29</lastmod>
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    <lastmod>2023-03-29</lastmod>
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